The precarity of life as an artist plus the cost of living crisis shouldn’t add up to the vibrant community of artists and makers in Boston, but somehow the math works, and that is what Brooke Stewart captures with the works in her solo show at Mills Gallery, “BAD MATH.” Curated by Liz Morlock, the exhibition is part of the Mills Gallery’s 1:1 Exhibition Series, which pairs artists and curators for intimate and playful presentations. Here, the walls are lined with bold yet delicate prints—woodcuts printed on handmade and hand-stitched paper that flutter and move with the slightest breeze. Because of the cuts in the paper, layered pieces are left loose to move and sway, animating these images, all portraits of artists and makers from Boston who are in some way connected to Stewart and her practice.
But this is not the only sign of life in the gallery. At the opening event on April 29, we saw George Amaral, a self-taught artist and master hairdresser, standing next to his print. Across from him is Mackenzie Britt, an artist from Somerville who also works as a florist. On the night of the opening, he brought with him a bouquet that resembles the one depicted in Stewart’s print, bringing yet another dimension to the space. The artist and her family were present, too—in a self-portrait and a portrait of her mother—shown in a series of etchings that expose the process of artmaking and working the copper plate. The artist’s process is also on view in a video loop that shows her at work. But this is not the lone artist in her studio, a team is there with her, surrounding her, much like the artistic community surrounds the viewer in the exhibition.
