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Online • Mar 18, 2025
John Shen Conjures Singular Images by Capturing Multitudes
Review by Swagato Chakravorty

Online • Mar 16, 2025
Multiple Formats Art Book Fair and Symposium Returns for its Fourth Iteration
Announcement by Multiple Fairs Art Book Fair and Symposium (Partner Post)

Online • Mar 06, 2025
The Catastrophes of Charles Atlas: Fifty Years of Performance Caught on Camera
Review by Zach Ngin

Online • Mar 04, 2025
Palm Press Opens Boston’s Only Photography Bookstore, Launching a New Third Space for Creatives
News by Emma Breitman

Online • Feb 28, 2025
This Week, Three Boston Art Schools Collaborate for a Citywide Open Studios Event
News by Yoko Zhu

Online • Feb 26, 2025
Announcing the 2025 Emerging Boston Art Writing Fellows
Announcement by BAR Editorial

Online • Feb 25, 2025
Celebrating Art, Legacy, and Liberation at Northeastern's bell hooks symposium
Feature by Gabrielle Mitchell-Bonds

Online • Feb 18, 2025
Photographer Zora J Murff's Collages Ask Audiences to Pay Attention
Quick Bit by Erwin Kamuene

Online • Feb 18, 2025
In “Snail Drawings,” Daniel Ranalli Finds Beauty in the Slow and Slippery
Quick Bit by Katherine Schreiber

Online • Feb 04, 2025
Ripple Effect: Lani Asunción Confronts Colonial Pasts While Envisioning Liberated Futures
Feature by Grace Talusan

Online • Feb 04, 2025
Developing a Movement: How the Polaroid Revolutionary Workers Movement Used Printed Matter to Protest Apartheid
Feature by Jovonna Jones

Online • Jan 28, 2025
Fourteen Exhibitions Opening in Massachusetts this Winter
Feature by BAR Editorial

Online • Jan 26, 2025
Victoria Burge Maps the Massive, the Minuscule, and the Mysterious
Profile by Marcus Civin

Online • Jan 21, 2025
At SoWa, a Unifying Thread Emerges with Solo Exhibitions that Delve into the Domestic
Quick Bit by Melanie Litwin

Online • Jan 14, 2025
Life Drawing Boston Finds a Permanent Home as its Community Grows
Feature by Emma Breitman

Online • Jan 14, 2025
At the ICA, Caribbean Artists Provide Portals to Other Worlds, But Who Enters?
Feature by Jordan Barrant

Online • Jan 07, 2025
“Steina: Playback” Conjures Nostalgia Through Technology and Nature at MIT List
Quick Bit by Jessica Shearer

Online • Jan 07, 2025
Matthew Leifheit's "Queer Archives” Finds a Temporary Home at MassArt
Review by Bessie Rubinstein

Online • Dec 17, 2024
Screen Printing Workshops are Bringing All Corners of Boston’s Creative Community Together
Feature by Claire Dunham

Online • Dec 10, 2024
At Essex Art Center, Rixy Brings the Glamour and Grit of the Streets Indoors
Quick Bit by Helina Almonte

Online • Dec 03, 2024
Winter 2024 Holiday Markets for Shopping Local in the Greater Boston Area
Feature by BAR Editorial

Online • Dec 02, 2024
A Lifetime of Layering: How Tomashi Jackson moves between history, place, and an ever-expanding practice
Feature by Alisa Prince

Online • Nov 25, 2024
On Kinship with Land and One Another: In Conversation with Deanna Ledezma, Josh Rios, and Anthony Romero
Interview by Jameson Johnson

Online • Nov 12, 2024
Making Theater for the Most Drama-Prone of Audiences
Interview by Jacqueline Houton

Online • Nov 12, 2024
Illuminus Kicks Off First Neighborhood-Specific Activation at an Old Tire Shop in Dorchester
Quick Bit by Erwin Kamuene

Online • Nov 12, 2024
Literature and Liberation: A Bookstore and Gathering Place Comes to Fields Corner
Feature by Niara Simone Hightower

Online • Nov 05, 2024
At MassArt Art Museum, "Displacement" Tells a Story of Environmental Destruction and Human Migration
Review by Shana Garr

Online • Oct 29, 2024
New To Town: Carmen Hermo on her Appointment as Curator of Contemporary Art at the MFA
Interview by Jameson Johnson

Online • Oct 22, 2024
"Alive and Kicking" Packs a Playful Punch at the Colby College Museum of Art
Review by Maddie Klett

Online • Oct 22, 2024
At Boston Cyberarts Gallery, "Plastic Image Retrospective" Reflects on When Xerox Machines Were Avant-Garde
Review by Jackson Davidow

Online • Oct 16, 2024
Making Her Mark: Jo Ann Rothschild on Forms in Motion and the Perpetual Emergence of Women Artists
Interview by Michelle Millar Fisher

Online • Oct 14, 2024
“Four Womxn: New Musings on Blackness” Centers the Black Female Gaze at the MFA
Review by Gabrielle Mitchell-Bonds

Online • Oct 08, 2024
At Brookline Arts Center, Inas Halabi Filters Destruction Through a Red Lens in "To a Returning Cloud"
Review by Zach Ngin

Online • Oct 01, 2024
In Newport, a Queer Sex Scandal and Sailor Sting Operation From 1919 Get a Film Dramatization
Review by Marcus Civin

Online • Sep 17, 2024
At LaiSun Keane, Michael C. Thorpe’s Quilts Challenge Convention in “Barstool Sports”
Quick Bit by Erwin Kamuene

Online • Sep 10, 2024
Eleven Art Exhibitions to See in Massachusetts This Fall
Feature by BAR Editorial

Online • Sep 03, 2024
Department of Public Imagination’s Radical Guide to Rest and Relaxation
Review by Alli Armijo

Online • Sep 03, 2024
At Piano Craft Gallery, Ryan Horton Finds His Footing with "Ego & Insecurities"
Quick Bit by Alisa Prince

Online • Aug 27, 2024
In “No Place Like Home,” Three Artists Present Fresh Perspectives on the Streets of Arlington
Review by Jacqueline Houton

Online • Aug 27, 2024
Another SoWa Departure: In Conversation with Abigail Ogilvy on the Closure of Her Boston Gallery
Interview by Jameson Johnson

Online • Aug 24, 2024
Firelei Báez: Unveiling the Pan-African Diaspora
Critical Perspective by Helina Almonte

Online • Aug 20, 2024
Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery
Review by Karolina Hac

Online • Aug 13, 2024
Vivid Oblivion's New Performance Series Leaves "Some Kind Of Residue"
Quick Bit by Claire Ogden

Online • Aug 12, 2024
Exhibition of Envelopes Addressed by Notable Designers Fills the Drawers at Katherine Small Gallery
Review by Poppy Livingstone

Online • Aug 07, 2024
A New Mural by Thomas “Detour” Evans Provokes a Conversation About Where Public Art Belongs
News by Oisin Rowe

Online • Aug 06, 2024
At Gallery Kayafas, Photography that Captures the Agency of the Incarcerated
Quick Bit by Erwin Kamuene

Online • Aug 05, 2024
Karma’s Maine Group Show “A Particular Kind of Heaven” Offers a Century of Skygazing
Review by Jessica Shearer

Online • Jul 30, 2024
Love, Hijinks, and Fragile Groundwork: A Conversation with Ethan Murrow
Interview by Monica Lynn Manoski

Online • Jul 26, 2024
Wu Tsang's "Of Whales” Conjures an Otherworldly Oceanscape at a Distance from the Real Thing
Review by Thea Quiray Tagle

Online • Jul 17, 2024
Two Sides of Summer: "Tara Donovan and Hamish Fulton" at Krakow Witkin Gallery
Quick Bit by Helen Miller

Online • Jul 17, 2024
A Perch with Purpose: Jean Shin's Salvaged Trees Greet Birds and Visitors at Appleton Farms
Feature by Karolina Hac

Online • Jul 16, 2024
At ODD-KIN, Jungil Hong Defies the Constraints of the Labor of Art-Making
Review by Elizabeth Maynard

Online • Jul 16, 2024
2024 Boston Art Writing Fellows Blog: Exhibition Reflections
Review by BAR Editorial

Online • Jul 09, 2024
Continuity in Community Organizing: Engaging Movement Histories Held at Museums
Feature by Alula Hunsen

Online • Jul 09, 2024
Unearthed History: Tragedy and Triumph in Maya Erdelyi’s "Anyuka"
Review by Emma Breitman

Online • Jun 25, 2024
Jay Critchley Provocatively Pairs Patriotism with Queerness at SPOKE Gallery
Review by Jackson Davidow

Online • Jun 24, 2024
At BAMS Fest, the "Rep Your City" Art and Graffiti Exhibition Returns with an Art Sale
News by Niara Simone Hightower

Online • Jun 12, 2024
When Artists Organize: The fight against displacement in Greater Boston
Feature by Shira Laucharoen

Online • Jun 11, 2024
Fourteen Must-See Museum Exhibitions to Check Out in New England This Summer
Feature by BAR Editorial

Online • Jun 06, 2024
At Ellen Miller Gallery, Cristi Rinklin Paints on a Slippery Plane of Memory and Perception
Review by Oisin Rowe

Online • Jun 06, 2024
Tim McCool Suspends Time and Shadows at Anderson Yezerski Gallery
Quick Bit by Douglas Breault

Online • Jun 02, 2024
An Honest Self-Rendering: Looking Inside of Sima Schloss’s On Empathy at ShowUp
Review by Helina Almonte

Online • May 30, 2024
Ode to the Barbershop: Style as Preservation in Erick Maldonado Delights Momentum at Kingston Gallery
Quick Bit by Erwin Kamuene

Online • May 30, 2024
A History of the Folly Cove Designers, a Pioneering Printmaking Collective
Critical Perspective by David Curcio

Online • May 30, 2024
Putting the Public in Public Art: How participatory projects are bringing Bostonians together
Feature by Jacquinn Sinclair

Online • May 21, 2024
New Gallery No Call No Show Gives Artists a Space to Test-Run Big Ideas
Feature by Emma Breitman

Online • May 07, 2024
“Lorraine O’Grady: Both/And” at the Davis Museum at Wellesley College
Review by Alisa Prince

Online • May 01, 2024
Community Engagement Is Underway for a New Vietnam War Memorial in Dorchester
Feature by Shira Laucharoen

Online • Apr 16, 2024
BU MFA Exhibition “Sculpturecore” Takes to an Abandoned CVS to Probe at What Lies Beneath the Surface
Review by Shira Laucharoen

Online • Apr 08, 2024
Taleen Batalian and Françoise McAree in Tandem: “Counterpoint” at Overlap Gallery
Review by Elizabeth Maynard

Online • Apr 08, 2024
Language, Symbols, and Systems: Sneha Shrestha Layers Personal Devotions with Cultural Rituals
Interview by Jameson Johnson

Online • Mar 26, 2024
Boston Art Review Appoints First Executive Director
Announcement by BAR Editorial

Online • Mar 26, 2024
In Portland, Lauren Luloff Creates New Formations
Review by Kari Adelaide Razdow

Online • Mar 21, 2024
Announcing New Board Members and Leadership Appointments
Announcement by BAR Editorial

Online • Mar 20, 2024
Shantel Miller’s “I’ve Been Trying to Reach You” Converses Across the Divide
Review by Shira Laucharoen

Online • Mar 19, 2024
At the Whitney Biennial, Expansive Representations of Age, Gender, and Technology Are Subtly on Display
Review by Lauren Klotzman

Online • Mar 19, 2024
Corporal Identity: “On Her Terms: Feminine Power Embodied” at the Fitchburg Art Museum
Review by Emma Breitman

Online • Mar 06, 2024
MASS MoCA Unionized Workers Embark on Indefinite Strike Over Wages
News by Shira Laucharoen

Online • Mar 05, 2024
Sunlit Sentiments: Yorgos Efthymiadis’s “The Lighthouse Keepers” at Gallery Kayafas
Review by Douglas Breault

Online • Feb 28, 2024
Announcing the 2024 Emerging Boston Art Writing Fellows
Announcement by BAR Editorial

Online • Feb 12, 2024
A Grab Bag of Goodies from the Edge of the World: The Fine Arts Work Center Fellows at PAAM
Review by Jacqueline Houton

Online • Feb 07, 2024
Advancing the Creative Sector Legislative Agenda: A Breakdown of the Bills
News by Shira Laucharoen

Online • Feb 01, 2024
“The Myth of Normal: A Celebration of Authentic Expression” at MassArt Art Museum
Review by Katherine Schreiber

Online • Jan 29, 2024
Speculative Tourism from NYC to the DMZ: Sophie Friedman-Pappas and TJ Shin in Conversation with Moira Sims
Interview by Moira Sims

Online • Jan 22, 2024
Christian Walker: Thoroughly Political, Poignant, and Worthy of Further Exploration
Review by Marcus Civin

Online • Jan 19, 2024
Taking Back the Narrative(s): “Deeply Rooted: Faith in Reproductive Justice” at Brandeis’ Kniznick Gallery
Review by Melanie Litwin

Online • Jan 08, 2024
“Faith Ringgold: Freedom to Say What I Please” at Worcester Art Museum
Review by Karla Méndez

Online • Dec 21, 2023
"As We Rise: Photography from the Black Atlantic” at Peabody Essex Museum
Review by Alisa Prince

Online • Dec 14, 2023
America on Display: Making the Museum a Classroom for Citizenship
Feature by Jacqueline Houton

Online • Dec 07, 2023
Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water
Review by Karolina Hac

Online • Dec 05, 2023
Holiday Markets for Shopping Local in the Greater Boston Area
Feature by BAR Editorial

Online • Nov 28, 2023
Queered Botany, Quilted Archives: In Conversation with Aaron McIntosh
Interview by Kendall DeBoer

Online • Nov 21, 2023
Adoration and Collections by the Sea at the New Bedford Whaling Museum
Review by Shana Garr

Online • Nov 21, 2023
Canvases of Camouflage: In Conversation With Tammy Nguyen
Interview by Josephine Halvorson

Online • Nov 14, 2023
Images Reclaimed: Chantal Zakari's New Book Sends Messages to Those Inside
Review by Claire Ogden

Online • Nov 14, 2023
Eyes Without a Face: Providence-Based Duo Velvet Other World Explore Sexuality and Concealment
Feature by Marcus Civin

Online • Nov 13, 2023
Visits and Vigils: Crystalle Lacouture’s Material Memories
Profile by Jessica Shearer

Online • Nov 07, 2023
Holding Humanity with the Boston Palestine Film Festival: A Conversation with Erik DeLuca and Michael Maria
Interview by Erik DeLuca

Online • Nov 07, 2023
Modernism Both Past and Present Shine in Two Shows at the Ogunquit Museum of American Art
Review by Hilary Irons

Online • Oct 31, 2023
Sculpting as Translation: In Conversation with Jocelyn Shu
Interview by Yutong Shi

Online • Oct 17, 2023
Building Worlds of Resistance: A Conversation with Arghavan Khosravi
Interview by Jessica Shearer

Online • Sep 27, 2023
Putting the Art in Startup: How Anupallavi Sinha Is Inviting Artists into the Laab
Interview by Alula Hunsen

Online • Sep 19, 2023
A People’s Archive: “Hip-Hop: Seen/Unseen” opens on the Greenway
News by Alula Hunsen

Online • Sep 12, 2023
Printing in P-town: Overlooked Printers Make an Impression at the MFA
Review by Katherine Schreiber

Online • Sep 08, 2023
In Harvard Square, Nat Reed’s “Bikes Move Us” Conveys New Meanings from Old Forms
Review by Sonia Richter

Online • Sep 01, 2023
At Beacon Gallery, Photographer Cheryl Miller Captures Eternal Communities
Review by Alisa Prince

Online • Aug 29, 2023
At Karma’s Summer Outpost in Maine, Color Breaks the Silence of a Former Church
Review by Hilary Irons

Online • Aug 29, 2023
Brian Smith Explores Aquatic Futures in “That Queer Fish”
Review by Karolina Hac

Online • Aug 25, 2023
Elizabeth Colomba's "Mythologies" Reclaims Whitewashed Narratives
Review by Jessica Shearer

Online • Aug 22, 2023
Portraits and Perception: At Gallery VERY, Familiar Faces Line the Walls of “PERSONA”
Review by Poppy Livingstone

Online • Aug 14, 2023
A Trove of Donelan’s Queer Cartoons Delights at Jameson & Thompson
Review by Claire Ogden

Online • Aug 07, 2023
A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston
Review by Karolina Hac

Online • Jul 25, 2023
Learning and Imagining Reparations with the Mayor’s Office of New Urban Mechanics
Feature by Erik DeLuca

Online • Jul 18, 2023
Passing the Torch: Edmund Barry Gaither and Danny Rivera on Organizing and Keeping the Faith
Interview by Alula Hunsen

Online • Jul 07, 2023
The Undeniable Legacy of Edgefield's Black Potters Rings Loud and Clear at the MFA
Review by Lian Parsons-Thomason

Online • Jul 06, 2023
Kate Greene’s “Black Sun” Toys With Photographic Distortion at Grant Wahlquist Gallery
Review by Hilary Irons

Online • Jul 04, 2023
Capturing Childhood: In Conversation with Photographer Kristen Emack
Interview by Bethany Ericson

Online • Jun 28, 2023
Mapping Obsessão: In Conversation with Lyle Ashton Harris
Interview by Jameson Johnson

Online • Jun 26, 2023
From Murals to Movements: How Street Art Is Transforming East Boston and Beyond
Feature by Dana Forsythe

Online • Jun 26, 2023
Covert Operations: Tyler Coburn and Ian Hatcher's Remote Viewer Explores CIA Seances
Interview by Hilary Irons

Online • Jun 20, 2023
Take the Day: Fourteen Exhibitions That Warrant Art-Filled Trips Across New England
Feature by BAR Editorial

Online • Jun 18, 2023
Imagining with Imagine W/: Circle Squared Screens Black Artist Conversations at the ICA for Juneteenth
Feature by Alula Hunsen

Online • Jun 14, 2023
Juneteenth 2023: Cultural and Community Gatherings Across Boston
Feature by Niara Simone Hightower

Online • Jun 13, 2023
Lucy Kim’s Vibrant Matter Mystifies and Enchants in “Dead or Dormant” at ODD-KIN
Review by Kendall DeBoer

Online • Jun 12, 2023
A Bygone Era in Boston’s Punk Scene Is Revisited in Michael Grecco’s Anderson Yezerski Exhibition
Profile by Olivia Deng

Online • Jun 06, 2023
In “Letters Mingle Souls,” Mitsuko Brooks's Mail Art Ventures Beyond Life and Death
Review by Marcus Civin

Online • Jun 01, 2023
At MAAM, Jace Clayton Invites the Public to Coauthor his Algorithmic Musical Scores
Review by Toby Wu

Online • May 27, 2023
The Sublime Feminine: Caleb Yono’s “Flotsam” Actualizes Femme Futures at Shoe Bones Gallery
Review by Poppy Livingstone

Online • May 24, 2023
Event Recap: The Fifth Anniversary and Issue 10 Release Party
Announcement by BAR Editorial

Online • May 23, 2023
A Film for Transient Archives: In Conversation with Georden West
Interview by Jasper A. Sanchez

Online • May 18, 2023
Speculative Narratives for Corrective Futures: In Conversation with Elisabeth Subrin
Interview by Jessica Shearer

Online • May 08, 2023
Bad Math with Good Results: Brooke Stewart’s Solo Presentation at Boston Center for the Arts
Review by Amy Bryzgel

Online • May 01, 2023
Boston Art Review Announces its Inaugural Board of Directors
Announcement by BAR Editorial

Online • Apr 28, 2023
Benefit for the Art Writing Fellowship Fund: Crystalle Lacouture's "Good Power from All Directions"
Announcement by BAR Editorial

Online • Apr 27, 2023
Textile Politics: Newport Art Museum’s “Social Fabric” Remixes the Subversive Stitch
Review by Kendall DeBoer

Online • Apr 18, 2023
In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves
Review by Karolina Hac

Online • Apr 07, 2023
“Call and Response” Imagines a Radical Collective Future in the Midst of Isolation
Review by Oisin Rowe

Online • Apr 01, 2023
Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine
Review by Karolina Hac

Online • Mar 30, 2023
Artists are Reconsidering the Relics at Tufts University Art Galleries
Review by Sarah Baker

Online • Mar 24, 2023
In “Barkley” at Apartment 13 Gallery, A Cult Hero Makes a Comeback
Review by Gina Lindner

Online • Mar 21, 2023
Sarah Meyers Brent Brings New Life to the Objects we Leave Behind
Profile by Rachael Hershon

Online • Mar 17, 2023
Marissa Cote's “I promise to stay in touch” Asks How We Exercise Love
Review by Maya Rubio

Online • Mar 14, 2023
At “All Black Everything,” the Museum of NCAAA Came to Life with a Community Celebration
Feature by Niara Simone Hightower

Online • Mar 13, 2023
Ripple Effects: Diving into “Waterlines” at the Somerville Museum
Review by Jacqueline Houton

Online • Mar 06, 2023
Babes in Toyland: Gendered Dynamics “At Play” in Northeastern’s Gallery 360
Review by Kendall DeBoer

Online • Feb 28, 2023
Books of Beauty: The Boston Athenaeum Presents a Symposium on Artists' Books in the 21st Century March 10-11
Announcement

Online • Feb 28, 2023
A Gutted Pub at MIT has Been Brought to Life as a Cybernetic Performance Site
Review by Jameson Johnson

Online • Feb 13, 2023
Thirteen Art Exhibitions to Catch Around New England as Winter Turns into Spring
Feature by BAR Editorial

Online • Jan 25, 2023
When Workers Come A-Knockin’: Cultural Institutions and the Fight for Unionization
Feature by Josie Thaddeus-Johns

Online • Jan 09, 2023
Remembering George Fifield, Founder of Boston Cyberarts
Feature by Jameson Johnson

Online • Dec 19, 2022
Photography Into Palimpsest: In Conversation With Toni Pepe
Interview by Michelle Millar Fisher

Online • Dec 13, 2022
At the Davis Museum, Lisa Reihana Recasts Colonial Narratives Through an Indigenous Lens
Review by Marcus Civin

Online • Dec 12, 2022
B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts
Review by Karolina Hac

Online • Nov 30, 2022
Woven Choreographies: Inside the Movement with Bhen Alan
Profile by Jessica Shearer

Online • Nov 18, 2022
Radical Welcome: A Roundtable on Grantmaking as Care-Centered Work
Interview by Abigail Satinsky

Online • Nov 15, 2022
On Publishing and Organizing: In Conversation with Mark Anthony Hernandez Motaghy
Interview by Erin Segal

Online • Oct 17, 2022
Twelve Fall Exhibitions to Check Out in Boston and Beyond
Feature by BAR Editorial

Online • Oct 13, 2022
At Distillery Gallery, Sunny Moxin Chen's "Wandering Be-ing" Presents a Meandering Journey
Review by Maya Rubio

Online • Oct 04, 2022
At RISD, "Variance: Making, Unmaking, and Remaking Disability" Turns a Lens to Visibility and Care
Review by Matthew Lawrence

Online • Sep 13, 2022
Soyoung L. Kim's GHOST ROOTS Reimagines an Ancient Korean Dance for the Screen
Profile by Oisin Rowe

Online • Sep 06, 2022
Self-Emancipated: Ifé Franklin in Conversation with Chenoa Baker
Interview by Chenoa Baker

Online • Aug 23, 2022
The New Public Art Projects That Are Keeping Us Outdoors
Feature by BAR Editorial

Online • Jul 19, 2022
At MAAM, "Designing Motherhood" Delves Into the Universal yet Deeply Personal Experience of Birth
Review by Jacqueline Houton

Online • Jun 15, 2022
Day-trip Worthy Exhibitions to See This Summer Around New England
Feature by BAR Editorial

Online • Jun 06, 2022
Face to Face: Napoleon Jones-Henderson & Chanel Thervil
Interview by Dell Marie Hamilton

Online • May 31, 2022
Adria Arch and Jai Hart Invite Us to Join Their “Play Date” at Nearby Gallery
Review by Maya Rubio

Online • May 29, 2022
Searching for Home in a Fractured Fairy Tale: Raida Adon’s Strangeness
Review by Jessica Shearer

Online • May 25, 2022
Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures
Interview

Online • May 10, 2022
Cheryl Wing-Zi Wong Creates Sites for Rest and Play in Boston's Chinatown
Profile by Lian Parsons-Thomason

Online • Apr 29, 2022
Resistance Language: Lisa Anne Auerbach's Twenty-Five Years of Wearing Her Thoughts on Her Sleeves
Review by Sara Farrell Okamura

Online • Mar 29, 2022
Mark Your Calendars: Eight Shows to Check Out in Greater Boston This Spring
Feature by BAR Editorial

Online • Mar 06, 2022
It’s My Infinite Indigenous Queer Love: In Conversation with Jeffrey Gibson
Interview by Mary McNeil

Online • Feb 26, 2022
Connecting Histories: Glenn Kaino’s “In the Light of a Shadow” at MASS MoCA
Review by Marcus Civin

Online • Feb 01, 2022
Now + There’s Visit to New Orleans for Prospect.5 Inspires a Model for a More Collaborative Art City in Boston
Critical Perspective by Leah Triplett Harrington

Online • Dec 07, 2021
Choreographing the Personal: A Profile of Jessica Roseman
Profile by Ilya Vidrin

Online • Nov 15, 2021
Communing in Isolation: Rania Matar’s Window Portraits
Review by Shuchi Saraswat

Online • Nov 05, 2021
Wish You Were Here: Paola de la Calle’s Window Display Blends History and Blurs Borders
Review by Knar Bedian

Online • Oct 30, 2021
Boston Ujima Project's Ashe Ashe Cultural Assembly is Building a Collaborative Arts Economy
Interview by BAR Editorial

Online • Oct 24, 2021
The Radical Act of Growing a Plant: Garden for Boston at the MFA
Review by Paige Curtis

Online • Sep 27, 2021
In a Painterly Field: Tamara Gonzales’s "Cosmic Recess" at Providence College Galleries
Review by Leah Triplett Harrington

Online • Aug 30, 2021
Roots of Revolution and Diaspora in Firelei Báez’s ICA Watershed Installation
Review by Elizabeth S. Hawley

Online • Jul 02, 2021
Looking Back: A Case for Co-Dreaming at Northeastern's Gallery 360
Review by Gina Lindner

Online • Jun 17, 2021
Race, Space, and Place: Getting Hyper-Local for Juneteenth in Boston
Feature by Abena Osei Duker

Online • May 15, 2021
Take a River Walk with the “Sound on Mystic” Audio Installation
Feature by Ashira Morris

Online • May 04, 2021
Dislodging the Cultural Infrastructure of Indigenous Peoples' Dispossession
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate

Online • Mar 23, 2021
Observation and Imagination: The Art of Evelyn Rydz
Profile by Jacqueline Houton

Online • Mar 21, 2021
To Be a Painting: On What is Bitter and What is Sweet with Cicely Carew
Interview by Mallory Ruymann

Online • Mar 16, 2021
Making Space for Gen Z: The Impact of Young Voices in Community Art Initiatives
Critical Perspective by Asiyah Herrera

Online • Mar 09, 2021
Poetry, Pixels, and Posthumanism: Jibade-Khalil Huffman’s "Now That I Can Dance" at Tufts University Art Galleries
Review by Maya Rubio

Online • Mar 08, 2021
In Conversation With Kai Grant: A Champion of Roxbury
Interview by Margo Gabriel

Online • Mar 04, 2021
Tiny Art for Uncertain Futures: A Conversation with Eben Haines of Shelter in Place Gallery
Interview by Jameson Johnson

Online • Feb 27, 2021
“Wayfinding” Exhibition Expands the Critical Possibilities of Historical Maps
Review by Shana Garr

Online • Feb 22, 2021
Yes MAAM: A Game-Changing Revamp Yields Boston's First Free Contemporary Art Museum
Review by Jacqueline Houton

Online • Feb 12, 2021
Face to Face With Ayana Mack: Creating Images of Power and Purpose
Profile by Jacquinn Sinclair

Online • Feb 02, 2021
Subversive Celebration: Photography of Black Joy and Healing in a Summer of Reckoning
Critical Perspective by Jonathan Rowe

Online • Dec 29, 2020
Sensing Growth in the Cracks: Beatrice Modisett at Montserrat College of Art Galleries
Review by Lydia Gordon

Online • Dec 04, 2020
A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”
Review by Karolina Hac

Online • Dec 01, 2020
Supporting Boston-Based Artists and Makers This Holiday Season
Feature by Jameson Johnson

Online • Sep 01, 2020
Fitchburg Art Museum Explores Mortality and Remembrance With “After Spiritualism”
Review by Daria Semco

Online • Aug 20, 2020
Experimental Art Leaves the Museum and Heads for the Drive-In
Review by Jacquinn Sinclair

Online • Aug 03, 2020
As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City
Review by Karolina Hac

Online • Jul 21, 2020
The Communal Intimacy of Public Art: In Conversation with Yu-Wen Wu
Interview by Gina Lindner

Online • Jun 23, 2020
Movement Toward Another World: In Conversation With Mar Parrilla
Interview by Theresa Mitchell

Online • Apr 28, 2020
In "Walls Turned Sideways" Forty Artists Tackle America's Criminal Justice System
Review by Shana Garr

Online • Apr 18, 2020
At Boston Center for the Arts, "FeministFuturist" Takes to the Web
Review by Karolina Hac

Online • Mar 20, 2020
Art in the Time of COVID-19: Resources, Opportunities, and Ideas for our Community
Announcement by BAR Editorial

Online • Mar 09, 2020
Spacetime (x,y,z + t): Traversing Time and Space through Technology and Art
Review by Jacquinn Sinclair

Online • Feb 19, 2020
Digital Domain: In Conversation With Juan Obando
Interview by Isabella Achenbach

Online • Feb 11, 2020
2020 Talk Series Organized by Claire Barliant, Daisy Nam, and Meg Rotzel is Announced
Announcement by BAR Editorial

Online • Feb 02, 2020
The Sphinx Northeast Returns to Boston With Christopher Schade's "Passing Islands"
Review by Katy Diamond Hamer

Online • Dec 13, 2019
At Emerson Contemporary, an Immersive Installation Provides an Imagined Glimpse of our Future Earth
Review by Mary Morris Evans

Online • Dec 05, 2019
Remembering as a Collaborative Act: In Conversation With Katarina Burin and Farhad Mirza
Interview by Robert Moeller

Online • Nov 06, 2019
Not to be Missed: The Boston Art Book Fair is Back for a Third Year
Announcement by Jameson Johnson

Online • Oct 09, 2019
Unseen Dimensions of Public Space: Disrupting Colonial Narratives
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate

Online • Oct 03, 2019
New Movement: Boston Exhibition Looks Closely at a World in Motion
Review by Argyro Nicolaou

Online • Sep 03, 2019
Fragments of Antarctica: In Conversation with Georgie Friedman
Interview by Gina Lindner

Online • Aug 07, 2019
Process, Practice, and Presence: Looking Back with Tory Fair
Interview by Jameson Johnson

Online • Jun 28, 2019
Street Theory Presents Eight Artists, Nine Murals, and One Highway Underpass
Review by Dan Atkinson

Online • May 14, 2019
Weaving With the Thread of Time: In Conversation with Cecilia Vicuña
Interview by Jameson Johnson

Online • Apr 19, 2019
Art in Action at the BCA Mills Gallery: Maya Erdelyi on the Magic of Animation
Profile by Jacqueline Houton

Online • Apr 02, 2019
Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List
Review by Denis Mwaura

Online • Feb 22, 2019
Not Time, But Feeling is Presented in Suara Welitoff's "Right Now This Moment"
Review by Theresa Mitchell

Online • Feb 04, 2019
Poetic Response: Stephanie Woods' Art Challenges Racial Perception and Performance
Review by Laura Neal

Online • Nov 30, 2018
Afterlife in Detroit: The Story of a Man, an Egg, and a Train Station
Profile by Isabella Achenbach

Online • Nov 22, 2018
Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery
Review by Karolina Hac

Online • Nov 09, 2018
LaKela Brown and Ruby Sky Stiler at Providence College Galleries
Review by Elizabeth Corkery

Online • Nov 05, 2018
Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University
Review by Denis Mwaura

Online • Nov 01, 2018
"Under a Dismal Boston Skyline ": An Era Not Forgotten
Review by Heather Kapplow

Online • Oct 27, 2018
Stephanie Cardon’s Massive Installation Calls for Climate Action At the Entrance to The Prudential Center
Interview by Brandi Griffin

Online • Oct 19, 2018
Media_Rins Brings Post-Internet to the Museum of Fine Arts, Boston
Quick Bit by Allison Miller

Online • Oct 08, 2018
A Farewell Trail: The "Hemlock Hospice"
Critical Perspective by Sophie Kissinger

Online • Sep 16, 2018
A Stage for Emergence: Fujiko Nakaya’s Installations Reveal Fog as a Sculptural Medium
Review by Jameson Johnson

Online • Sep 03, 2018
Inside The Watershed: ICA Boston Sails Across the Harbor
Feature by Olivia Kiers

Online • Aug 26, 2018
The Dialectic Nature of Shrines at Dorchester Art Project
Feature by Olivia Deng

Online • Jun 20, 2018
Suara Welitoff's "The Feeling of a Feeling" at Anthony Greaney
Review by Wesley Simon

Online • Jun 03, 2018
In Conversation: Tomek Sadurski on "NAVIGATORS" and "TIDES"
Interview by Phil Zminda

Online • May 27, 2018
Making Room: How Boston’s Emerging Artists Carve Space for Themselves
Feature by Phil Zminda

Online • May 09, 2018
Between Frontiers: In Conversation with Kylie Manning
Interview by Lauren Pellerano Gomez

Online • Apr 26, 2018
Beyond Regionalism: A Decolonial Atlas at Tufts University Art Gallery
Review by Lizi Ham

Online • Apr 25, 2018
Art In a Digital Landscape: In Conversation with Judith Barry
Interview by Jameson Johnson

Online • Apr 20, 2018
“Code-Stitch: Resistance in Apparel” at How's Howard Gallery
Review by Kevin Le Blanc

Online • Apr 12, 2018
Internet on View: Trevor Paglen at the Institute of Contemporary Art Boston
Review by Kate McBride

Online • Mar 02, 2018
Influence X Design Conference Sheds Light on Design Accountability
Review by Robert Passas

Online • Feb 23, 2018
Kristin Texeira Talks Color, Memory, and Abstraction at Topdrawer Boston
Review by Avery Robertson

Online • Feb 15, 2018
Risqué or defiant? Killers & Thrillers at Kabinett Gallery Draws a Crowd
Review by Jule Davidoff

Online • Feb 06, 2018
In Conversation: Hannah Fallon with Lauren Pellerano Gomez
Interview by Lauren Pellerano Gomez