Denis Mwaura is a curator and writer based in Chicago. He is currently the Assistant Director at Gallery 400, UIC. Exhibitions and public programs his curatorial research has supported include, A Species of Theft (2022) and Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art at Gallery 400; Malangatana: Mozambique Modern (2020), Naughty Nymphs in the Courtyard of the Favorites (2022), Igshaan Adams: Desire Lines (2022) at the Art Institute of Chicago; Wong Ping: Digital Fables (2021) and Madeleine Hunt-Ehrlich: Speculative Archives (2021) at Conversations at the Edge. His writings on artists including Kapwani Kiwanga, Daniela Rivera, and Senzeni Marasela appear in the Boston Art Review and Africanah.
Contributor
Denis Mwaura
By This Author
Issue 03 • Apr 02, 2019
Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List
Review by Denis Mwaura
Online • Nov 05, 2018
Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University
Review by Denis Mwaura