Karolina Hać

Editor

Karolina Hać is a writer and editor working at the intersection of art, culture, and the built environment. She has been a contributor to Boston Art Review since 2018, and her writing has appeared in Hyperallergic, Landscape Architecture Magazine, and Big Red & Shiny. By day, she is a communications manager at Sasaki.

Karolina Hać

Karolina Hać

By This Author

At the Hood Museum of Art, “Visual Kinship” Examines Family Through Photography

AI or Game Show Personality? Elizabeth Withstandley’s “The State of Being Indivisible” Toys With Identity in the Digital Age

At the Carpenter Center, “Fragments of a Faith Forgotten” Attempts to Piece Together the Undefinable Life and Practice of Harry Smith

Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery

A Perch with Purpose: Jean Shin's Salvaged Trees Greet Birds and Visitors at Appleton Farms

Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water

Brian Smith Explores Aquatic Futures in “That Queer Fish”

A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston

In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves

Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine

B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts

A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”

As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City

At Boston Center for the Arts, "FeministFuturist" Takes to the Web

Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery